All Critics (97) | Top Critics (22) | Fresh (88) | Rotten (9)
As cryptic and unpredictable as that premise might suggest.
Lavant is splendid in the film, and he's essentially the entire film - and yet, "Holy Motors" is somewhat more than a contraption built for a fearless performer.
Here is a film that is exasperating, frustrating, anarchic and in a constant state of renewal. It's not tame.
I don't know what Lavant is playing here because I've never seen anything like it.
Leos Carax's surreal ode to ... identity? Movies? Performance? Identity and performance in movies, or movies and performance in identity, or some other combination that will come to mind upon further viewings?
[A] crazy-beautiful reverie about movies, love, the love of movies, and the inevitability of human melancholy by the perpetually mysterious French filmmaker L?os Carax.
Some day, an editor is going to put together a highlight reel of Denis Lavant's greatest performances. Will most of it be scenes from Holy Motors?
It's rare that we get the chance to encounter anything this freely inventive, this amusing, this ineffably sad and, yet, this full of life.
A fascinating and heartbreaking study of humanity, one leavened with a refreshing levity and humor that makes Carax's philosophy on life not only palatable, but thoroughly enjoyable.
A stunning exploration of identity in both society and filmmaking that features one of the best performances of the year by some stretch.
A film that not only demands repeat viewings but also makes that an attractive proposition.
A multitude of pleasures abound if one gives into the insane spell the film casts.
An exercise in overindulgence.
A glorious, gross, absurd, haunting dream and deconstruction of identity that may enthrall like a symphony or annoy like a rash.
Whatever your approach to the schoizoid storyline, you're unlikely to ever forget the exhilarating, eruptive cinematic splooge of Holy Motors.
Holy moly, Carax drops the movie acid.
...Viewers are along for a ride, wild and surreal.
The most brilliant and exhilarating film of the year.
The audience member never wonders what is happening, though we may often wonder why, or under what laws this reality operates.
Weirdly - and probably for entirely the wrong reasons - I couldn't take my eyes off it.
Carax's film is a cousin to "Synecdoche" and a modern response to Rivette's "Celine and Julie Go Boating." He even appears to have anticipated Cronenberg's "Cosmopolis," answering the questions set forth...as to where all the limos go at night.
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Source: http://www.rottentomatoes.com/m/holy_motors/
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